And what does booked mean? Tanya delves into the different workloads of narrators and breaks it down into hours. She also defines what 'booked' actually means.
I’ve always joked that I’m a “3/4 time narrator, full time actor.” The vast majority of my income is narration. But I do occasional theatre gigs or roleplay work for medical students/police officers. I’ve always felt a little left out in the full time/part time discussion. Because I feel mostly full time (and sometimes hit that), but I’m more than part time. I love that you solidified my experience in words here.
I’m in a similar situation. Although I’ve considered myself a “full time” narrator for a few years, because that’s the vast majority of my income & time spent working, I acknowledge the usefulness of Tanya’s breakdown for a few reasons. 1) I’m fortunate enough to have my wife’s income added to mine to cover household expenses. 2) I also coach, and although that’s a much smaller % of my income, it does mean I’m not 100% relying on narration.
So, by these definitions, I guess I’m 3/4-time? And might I add another bridge between “booked” and “fully booked”? I’d say I’m “mostly booked” because I do have a pretty full calendar (for my capabilities & unique situation), but I could shoehorn in a few books here & there if necessary.
I wish I could think of a snazzier name for 3/4 Time, but it is a totally valid and unique place to be. It's a different workload than other levels, and I think it might be where more full-time narrators end up as the hustle increases.
Great post, Tanya. Very interesting. (For the record, I am lucky enough to consider myself "over-booked" but for me, at my recording/prepping pace, with a young child, and factoring in health issues -and possibly the loudest gastrointestinal system in the bizness - that is nothing like the almost 500 hours a year 41+ hours a month would be. As you say elsewhere in the article, full-time is very different for different narrators.)
Everyone has so many different factors. I just wanted something tangible that helps break it down and explain that my full time might be really different from someone else's. Both valid, just different
Thank you for this post…for the clarification and I am definitely not a FT narrator. You brought out the various factors that determine which level narrators would fall into…family, other income sources, work life balance etc. It is quite subjective. The clarification on ‘booked’ vs ‘ fully booked’ helps…many narrators often mention that in their post
Oh good. Yeah. Some of the language we use can get confusing or can make us feel like we're not enough. But it is such a fluid market with lots of people doing lots of different things.
I’ve always joked that I’m a “3/4 time narrator, full time actor.” The vast majority of my income is narration. But I do occasional theatre gigs or roleplay work for medical students/police officers. I’ve always felt a little left out in the full time/part time discussion. Because I feel mostly full time (and sometimes hit that), but I’m more than part time. I love that you solidified my experience in words here.
I’m in a similar situation. Although I’ve considered myself a “full time” narrator for a few years, because that’s the vast majority of my income & time spent working, I acknowledge the usefulness of Tanya’s breakdown for a few reasons. 1) I’m fortunate enough to have my wife’s income added to mine to cover household expenses. 2) I also coach, and although that’s a much smaller % of my income, it does mean I’m not 100% relying on narration.
So, by these definitions, I guess I’m 3/4-time? And might I add another bridge between “booked” and “fully booked”? I’d say I’m “mostly booked” because I do have a pretty full calendar (for my capabilities & unique situation), but I could shoehorn in a few books here & there if necessary.
I wish I could think of a snazzier name for 3/4 Time, but it is a totally valid and unique place to be. It's a different workload than other levels, and I think it might be where more full-time narrators end up as the hustle increases.
Great post, Tanya. Very interesting. (For the record, I am lucky enough to consider myself "over-booked" but for me, at my recording/prepping pace, with a young child, and factoring in health issues -and possibly the loudest gastrointestinal system in the bizness - that is nothing like the almost 500 hours a year 41+ hours a month would be. As you say elsewhere in the article, full-time is very different for different narrators.)
Everyone has so many different factors. I just wanted something tangible that helps break it down and explain that my full time might be really different from someone else's. Both valid, just different
*nods* you did a great job.
Thank you for this post…for the clarification and I am definitely not a FT narrator. You brought out the various factors that determine which level narrators would fall into…family, other income sources, work life balance etc. It is quite subjective. The clarification on ‘booked’ vs ‘ fully booked’ helps…many narrators often mention that in their post
Oh good. Yeah. Some of the language we use can get confusing or can make us feel like we're not enough. But it is such a fluid market with lots of people doing lots of different things.
Extremely helpful!
I love this, Tanya! Thank you. You always think of things that are so practical for us to know and understand!!
This makes me so happy. Thank you!